Paris (Paris, France) - Saint-Martin-des-Champs
- Disclaimer
The dating found here is based on the work of John James, and is meant on this site to serve as a starting point. James' dating is derived from a system that uses his interpretation of the development of capitals over time as the basis for chronology, among other factors. His goal is to refine the dating to within years rather than decades. I have not fully embraced James' methodology, and will be developing this page from its current state to one which is admittedly more conservative. The relative expenditure values found in the Timeline are also based on James' work, and I believe these to be reasonably reliable. They are intended only to give a sense of the amount of work involved in each decade.
I have added the idea of the "project" as a way of separating work in buildings. In my mind, a "project" is a discrete section of work in a building that resulted from the one-time acquisition of funding. "Projects" are generally separated by at least a decade where no work was being done. It is my view that it would have been unwise to start a "project" that could not be finished and protected from the elements, and as such a "project" usually involved a wing or multiple wings of a building, from floor to roof. Rural churches, which could only secure small amounts of funding at irregular intervals, often were the result of many small projects, while the great churches, which benefitted from relatively consistent funding, may have involved only a few large projects.
I have added the idea of the "project" as a way of separating work in buildings. In my mind, a "project" is a discrete section of work in a building that resulted from the one-time acquisition of funding. "Projects" are generally separated by at least a decade where no work was being done. It is my view that it would have been unwise to start a "project" that could not be finished and protected from the elements, and as such a "project" usually involved a wing or multiple wings of a building, from floor to roof. Rural churches, which could only secure small amounts of funding at irregular intervals, often were the result of many small projects, while the great churches, which benefitted from relatively consistent funding, may have involved only a few large projects.
- Timeline with Relative Expenditure (if available, in building units)
- Project A - 1120s - Phase 1 - crossing
- Project A - 1120s - Phase 2 - east (b)
All wall footings, especially on axial chapel in a complex and very slow construction sequence analysed in Master Carvers Series #09 on The Duke.
- Project A - 1120s - Phase 3 - pier base A
Few courses in external walls, small program inside earlier church with piers bases A.
- Project A - 1120s - Phase 4 - pier base B
Pier bases B with additional work on external walls
- Project A - 1120s - Phase 5 - pier base C
Pier bases C, window sill and string
- Project A - 1120s - Phase 6 - pier base D (d)
- Project A - 1120s - Phase 7 - pier base E
Pier bases E and possibly pauses in the external walls while the rest of the pier bases were laid with minimal expenditure; there are ten different designs for these piers, and they are individual enough to ascribe to different teams and there being no coordination between them one presumes some considerable time between each one.
- Project A - 1120s - Phase 8 - pier base F
Pier bases F
- Project A - 1120s - Phase 9 - pier base G (aw)
- Project A - 1120s - Phase 10 - pier base H
Pier bases H
- Project A - 1120s - Phase 11 - pier bases I
Pier bases I
- Project A - 1120s - Phase 12 - pier base J
Pier bases J
- Project A - 1130s - Phase 13 - choir (a) I
- Project A - 1130s - Phase 14 - choir (a) II
- Project A - 1130s - Phase 15 - choir aisle (rc)
Aisle wall cornice, impost 2, upper vault 2 and doubeau 2
- Project A - 1130s - Phase 16 - choir (a+)
- Project A - 1130s - Phase 17 - entry (c-)
- Project A - 1130s - Phase 18 - chapel (v-)
Chapel vault 1 begun with ribs 1 and doubleau 4
- Project A - 1130s - Phase 19 - chapel (a+)
Axial chapel (a+), mid arch 3, ribs 2, noting that the clergy could have moved into the middle portionat this time.
- Project A - 1130s - Phase 20 - choir (v)
Ambulatory roof, ribs 3, arches 5
- Project A - 1130s - Phase 21 - choir (c)
- Project A - 1130s - Phase 22 - choir (s)
Clerestory window sills and ribs 5
- Project A - 1130s - Phase 23 - choir (cw)
- Project A - 1130s - Phase 24 - choir (rc)
Clerestory cornice, probably around 1138.
- Project A - 1140s - Phase 25 - towers I
Towers 1